Acting is a funny business, especially when plays are so poetic. Every line is beautifully written and there is an extraordinary amount of real/imagined pressure to get every line word perfect. And because of this pressure I think a lot of people cracked. However we all covered for each other so the audience did not realise that we stuffed up. There was one piece where I had to do three characters lines, but it worked. Here is a snippet which we got correct, with me as the voice:
Child: Look
Voice: Says a child to her mother as they pass by the window of Schooner House
Child: Captain Cat is crying
Voice: Captain Cat is crying
Captain Cat: Come back, come back
Voice: Up the silences and echoes of the passages of the eternal night
Child: He’s crying all over his nose
Voice: Says the child. Mother and child walk on down the street
Child: He’s got a nose like a strawberry
Voice: The child says, and then she forgets him too. She sees in the still middle of the blue bagged bay No Good Boyo fishing from the Zanzibar.
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2 comments:
That's nice :) I wish I'd been able to go see it.
I certainly fell in love with the language. I am hoping to get a DVD of the production, and I'll show it to youse guys if you would like.
However I have been waiting for six years for a DVD of a production I did in 2001, so dont hold your breath.
However someone different taped Snatches this year, so I can show you that. Not as poetical though.
I think I might blog more snippets from Llareggub in the future.
Cheers
Andrew
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